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Daniela Ramos (she/her or they/them) is an aspiring theatre artist based out of Atlanta, GA (the irony is that she is allergic to peaches and lives in the Peach state). The theatre bug bit her at the young age of 5 and it hasn't let go since. She graduated from Tri-Cities High School's Magnet Theatre Department in 2017 and obtained her Bahcelors of Arts in Theatre and Performance Studies from Kennesaw State University Spring of 2023.

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Her first love was performance, having gone on to perform in varius world premiers and classics. Having a soft spot for "the weird stuff," her favorite projects have been Carrie in Dybrooke by Sarah Michelson (Atlanta Fringe 2024), a swing in The Mad Hatterpillar and her Many Heads by Rachel Frawley and Sara Beth Hester (Stage Door 2024), Agnes in She Kills Monsters (KSU 2022) and more!

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Theatre is not her only medium, however. Dani has fallen in love with various other forms of entertainment, such as oral storytelling, puppeteering, film, circus, and princess/superhero party performing. She is currently a puppeteer with Piccadilly Puppets, a performer with Southern Belle Character Company, and starting her journey with film and circus through various classes.

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Daniela is a firm believer in not being a one trick pony, so she's determined to learn it all! While her first love may have been performance, she as also obtained technical theatre credits for Stage Management, Scenic Design, and Prop Design. Her favorite credits include being Assistant Stage Manager for Dominion Entertainment's  of Dreamgirls (2023), and Suzi Bass Award Winning production of The Light (Horizon Theatre 2022). Her scenic designs credits also include Assistant Scenic Designer for KSU's production of RENT! and being a scenic charge for Orbit Academy's productions of Beetlejuice and Urinetown (and a little bit of Newsies) (2025).

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In the spirit of doing it all, Dani has also been a teaching artist for littles ones (and angsty teens) getting their first taste of theatre. Having been a teaching artist at the Alliance, Stage Door, and the Marcus Jewish Community Center of Atlanta, she hopes they will get bit by the theatre bug like she was.